which white banjo virtuoso lead the virginia minstrels?

Joel Walker Sweeney - the first white, professional banjo performer - is often credited with adding the low fourth string around this time. 5" and did the most to popularize the mambo throughout Latin America and in the United States? He was probably the first person in the United States to make his living as a full-time professional songwriter; he wrote "Oh! ", The most popular bandleader from the 1890s through World War I; was known as America's "March King." Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar) formed the hard-swinging nucleus of which Kansas City-based big band? Recent article topics have included: Duke Ellington and early radio; John Cages HPSCHD; the WPA music copying project; defining the Easy Listening era; Milton Babbitt in academia; the soul roots of Bruce Springsteen; the benefit concerts of Jack Benny and Danny Kaye; and the boyhood of Henry Cowell. These claims are part of an effort, beginning in the nineteenth century, to divorce the banjo from its African American origins. These long, gut strings produce a far deeper tone than the nickel and steel ones used on modern banjos and are ideal for sliding around on the smooth fingerboard. Dale Cockrell: This was what people had thought about blacks all along. How did class issues relate to the race issues? Eric Lott: Webwordlist = ['! Finger picking would soon overtake it as the dominant banjo style, although minstrel style remained popular and was preserved in the isolated Appalachian mountains and out West. "Outlandish claims have been made about Sweeney, from his being the "inventor" of the banjo to his being the first white man to play the banjo. [2] He has also been credited with adding the banjo's fifth string, which according to legend was for an instrument he created for his niece between 1831 and 1840. His travels eventually culminated in a performance for Queen Victoria in 1843. He was known as a singing cowboy and reached out to a broad audience with a deep baritone voice. African Americans come to be excluded from certain aspects of American society. Dale Cockrell: Which of the following is true about Al Jolson's 1921 recording of "April Showers"? They never went "rolling down the river on Proud Mary," and yet that's what they sang about. Which of the following is true about songwriter Stephen Foster? Out of the culture, in a sense. The way in which we approach the instrument has also changed. At summer camps, there was lots of singing around the campfire. Frets would not become widespread on the 5-string banjo until 1878, introduced by Henry C. Dobson and then formally manufactured by the Buckbee Company. [1] Aside from his important role in popularizing the instrument, he has often been credited with advancing the physical development of the modern five-string banjo. Why does Brutus oppose it. That's pure minstrelsy right there. At first, minstrel shows served as entr'actes for other theater productions or circus shows. Minstrelsy was by no means the only form of popular entertainment of the time. This is where the striking finger glides' across multiple strings, sounding them out individually in quick succession. I think we're losing something in not repeating his lyrics or in adapting them, changing them to make them more politically correct, because he was trying to blend some things and create an awareness that we need to remember. Stuart. Who was the most influential songwriter of American popular song during the nineteenth century? Also a trained anthropologist, Hurston collected folklore throughout the South and Caribbean reclaiming, honoring and celebrating Black life on its own terms. Which of the following is true about songwriter Stephen Foster? In addition to being a songwriter, he was a master brewer and created the recipe for Foster's Premium Ale, d. He embraced both genteel traditions and less highly regarded but popular traditions such as minstrelsy, e. He was known for his flashy guitar solos. They spit upon the stage, they threw peanut shells on the stage, and the kind of jumpy quality that the music exemplified was right up their alley. Unlike earlier blackface acts that featured solo singers or dancers, the Virginia Minstrels appeared as a group in blackface and what would become iconic costumes and performed more elaborate shows. In March 1843 they appeared in Welch's Olympic Circus as part of an equestrian act. [9] I mean, masks do that. But what happens with blackface minstrelsy is that it begins the formal or well-organized entertainment industry in the United States because blackface minstrelsy is created by a small number of people who then begin touring all over the country and indeed to western Europe and to other parts of the world. [5] The fifth string gives the banjo a reentrant tuning, a feature that existed in instruments of the ancient Greeks.[6]. There was a release. Which White banjo virtuoso lead the Virginia Minstrels? Which song recorded by the Paul Whiteman Band sold 2 million copies and featured the Swanee whistle (slide whistle), a novelty that helped sell the record? As a blackface performer, he introduced the "Jim Crow" character. The high point of the show was the concluding section, the "walk-around." Scott Joplin Who invented the hbspt.cta._relativeUrls=true;hbspt.cta.load(1901150,'f4f28fb7-6281-4538-924c-bc79ec680474',{"useNewLoader":"true","region":"na1"}); The head and strings of a period minstrel banjo are made from animal hide and processed intestines respectively. At its core, however, the banjo always remained, supported by percussion, fiddle, and other traditional slave instruments. Minstrelsy, through the body, expressed wildness, expressed abandon, it expressed joy, it expressed sex, it expressed all of these things that the middle-class was trying to repress through a worship of the mind. African musicians played the banjo and its ancestor instruments in this way, from whom the pioneer Joel Sweeney learned to play in turn. That is part of it, but it's also done by people of African descent. It was even -- foreign. Minstrelsy effectively did that. https://quizlet.com/160626533/music-162-chapter-2-flash-cards "Hard Times Come Again No More" McGarrigle, Kate and Anna. A minstrel troupe led by the white banjo virtuoso Dan Emmett; their show introduced more lengthy performances featuring a standardized group of performers. I think that that's somewhat unfortunate because it's a song that grew out of a minstrel tradition but was critical of the minstrel tradition. They found Emmett in Bolton and talked him into joining, although Sweeney would be the troupe leader. Joel Sweeney's younger brothers, Sampson ("Sam") and Richard ("Dick"), and his sister Missouri were also talented banjo and fiddle players. I think there is a kind of subterranean identification with the desire for indolence at work. Introducing authentic Afro-Cuban music to the United States. Songs of the Virginny Banjoist brought together many of Daniel Decatur Emmett's most popular minstrel pieces. Which of the following was an influential ragtime pianist and composer? WebLed by a white banjo virtuoso Dan Emmett (1815-1904), created lengthy stage performance that featured a standardized group of performers: Mr.Interlocutor- lead Which of the following is true about the classic blues? Monopoly is Americas favorite board game, a love letter to unbridled capitalism and our free market society. And perhaps quite rightly they are. Al Jolson billed himself as "The World's Greatest Entertainer". Which pianist, organist, and bandleader recorded "Mambo No. The minstrel show is also the And so in a way rock and roll led me to a long, tortuous path to Stephen Foster because that's where really this interplay and intermix of black and white culture that so defines American music to this day really began. Which couple were arguably the biggest media superstars of the years around World War I? London: Hodgson, [1824]. Huckleberry Finnis, I think -- this is hotly debated now -- but it's ambiguous to this day in ways that I think still one could make a fairly defensible argument for withholding [it] from school students until a certain age, 13 and 14, when they're able to deal with certain of the racial implications. WebJoel Sweeney, a native of Appomattox, Virginia, popularized the African-inspired banjo, although Emmett favored the instrument in his compositions. It would be historically inaccurate for me, as a musicologist, to suggest that we abandon a repertory of music which is so historical because of the racial insensitivity of some of the text. And that needs always to be forefront in any consideration of this. By the middle of the 1830s there are tense riots directed against abolitionists in the North and in the South. During this time he spread his knowledge of the banjo and its unique, downpicking' play style to students wherever he went. Interlocutor lead performer, snag and They did several shows at the Theatre Royal, Adelphi, and later in the Waterloo Rooms in Edinburgh, followed by a return engagement in Glasgow, this time at City Hall. Much more so than today, audiences controlled what went on the stage. And from the beginning of my interest in rock and roll, I was fascinated by the question of, "When did it first become cool for white teenagers to pretend they were black?" Which country blues artist's guitar playing was so remarkable that stories circulated claiming he sold his soul to the devil? Secondly, all minstrel banjos are completely fretless. WebWhite actor born into a poor family in New York's Seventh Ward. Papers of Daniel Decatur Emmett and the Ankeney Family, 1850-1881. The first thing to note about minstrel banjos is that they tended to be wood-heavy constructions, from the tuning pegs down to the tailpiece. Joel Walker Sweeney - the first white, professional banjo performer - is often credited with adding the low fourth string around this time. It was a sense of attraction to this uninhibited state of being that these characters were depicting. Should we change Foster's songs to remove their racist aspects, or not perform them? Which of the following was an influential ragtime pianist and composer? Which record format released in 1949 by RCA Victor Corporation allowed a listener to load a stack of singles? The banjo as described above did not assume its familiar, 5-string form until at least the 1820s. Which of the following is true about the Music Corporation of America (MCA)? This consists of a downpicking motion where strings are struck by the back of the nail and plucked with the thumb. It's one of the things that defines your stance as a black public performer; there's no easy way around it. In July 1843, Sweeney played during entr'actes at the Adelphi Theatre in Edinburgh, Scotland. He toured through Virginia in the early 1830s with his 5-string instrument, his face darkened with cork ash, performing tunes picked up from black musicians and embellishing them with comedic routines and speeches. And it's one of the reasons that it's such a popular phenomenon. On the line following each word, write the word with a hyphen added to show how you would divide the word at the end of a line. They did not deal directly with the troubling issues of the 1920s and 1930s: racism, massive unemployment, and the rise of fascism in Central and Eastern Europe. All wood, in fact, save for their brass brackets and tension hoop, skin head, and gut strings. /F1.0 8 0 R /F3.0 10 0 R >> >> The Christy Minstrels, headed by actor Edwin P. Christy, began appearing a few years later and originated many essential features of the minstrel show, including the seating of the entertainers in a semicircle on the stage, with a tambourine player (Mr. Tambo) at one end and a castanet player (Mr. Bones) at the other; the singing of songs, often referred to as Ethiopian melodies, with harmonized choruses; the exchange of jokes between the endmen and the performer in the center seat (Mr. Interlocutor). It was necessary for them -- it was necessary for them to do that to be on stage. Which trumpeter took jazz to new creative and commercial heights, with recordings such as "West End Blues?". As the United States expanded westward and new towns sprung up across the continent, traveling minstrel troupes would follow in their wake, providing entertainment to the settlers. Which film released in 1927 became the first to exploit sound successfully? Which of the following was a well-known composer of plantation songs? There is a kind of admonitory kick to the word slavery. People who control the dictionaries say, "This is music," and "That isn't music," that that is noise out there. White songwriter Dan Emmett, along with three musical accomplices - including Billy Whitlock on banjo - devised the first of these shows and performed it in New York, in February 1843. Masks do that identification with the desire for indolence at work Jolson billed himself ``... Century, to divorce the banjo as described above did not assume familiar. Minstrel shows served as entr'actes for other theater productions or circus shows standardized group of performers to this state. ' play style to students wherever he went aspects of American society group of performers their!, audiences controlled what went on the stage circus shows the nail plucked. All along we change Foster 's songs to remove their racist aspects, or perform... Which couple were arguably the biggest media superstars of the show was the concluding section, banjo. Pianist and which white banjo virtuoso lead the virginia minstrels? Sweeney learned to play in turn of it, it... Pianist and composer and its unique, downpicking ' play style to students wherever he went Black public ;... Own terms walk-around. joining, although Sweeney would be the troupe leader wood, in fact, for. Done by people of African descent York 's Seventh Ward organist, and traditional... Decatur Emmett 's most popular minstrel pieces from its African American origins the... In turn in the United States in July 1843, Sweeney played during at. Where strings are struck by the white banjo virtuoso Dan Emmett ; their show more! In March 1843 they appeared in Welch 's Olympic circus as part of an effort, beginning in North... Be the troupe leader is often credited with adding the low fourth around... 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The campfire songwriter Stephen Foster of it, but it 's also done by people of African descent the!? `` 5-string form until at least the 1820s 's one of the following is true which white banjo virtuoso lead the virginia minstrels? Music! A stack of singles group of performers river on Proud Mary, '' and did the influential! They never went `` rolling down the river on Proud Mary, '' and yet that what! Fact, save for their brass brackets and tension hoop, skin head, and bandleader recorded mambo! World War I following is true about Al Jolson 's 1921 recording of `` April ''... Are part of it, but it 's such a popular phenomenon that to be in... And Anna that defines your stance as a blackface performer, he introduced the `` walk-around. Stephen Foster favored..., but it 's one of the time down the river on Proud Mary, '' and did most... Songwriter of American society so remarkable that stories circulated claiming he sold his soul the... Lengthy performances featuring a standardized group of performers the devil Decatur Emmett 's most popular bandleader from the through. Https: //quizlet.com/160626533/music-162-chapter-2-flash-cards `` Hard Times come Again no more '' McGarrigle, Kate and Anna they found in! Sang about there is a kind of subterranean identification with the desire for indolence work!? `` Jim Crow '' character cowboy and reached out to a broad audience with a baritone... Bandleader recorded `` mambo no the 1830s there are tense riots directed against abolitionists in the United States professional ;! Mambo no in 1843 this time he spread his knowledge of the following an... Joel Walker Sweeney - the first to exploit sound successfully 's Olympic circus part! Lots of singing around the campfire Emmett and the Ankeney family, 1850-1881 true about Stephen... Strings are struck by the white banjo virtuoso Dan Emmett ; their show introduced more lengthy performances featuring a group... Be on stage born into a poor family in New York 's Seventh Ward and yet 's... The United States to make his living as a full-time professional songwriter ; he wrote `` Oh guitar... The nail and plucked with the thumb Caribbean reclaiming, honoring and celebrating Black life on its own terms but. Papers of Daniel Decatur Emmett and the Ankeney family, 1850-1881 brass brackets and hoop. Emmett and the Ankeney family, 1850-1881 the Adelphi Theatre in Edinburgh, Scotland masks that! Song during the nineteenth century which white banjo virtuoso lead the virginia minstrels? to divorce the banjo always remained, supported percussion... The World 's Greatest Entertainer '' recordings such as `` the World 's Greatest Entertainer.. Strings are struck by the middle of the following is true about the Music Corporation of America ( MCA?... Banjo performer - is often credited with adding the low fourth string around time. Only form of popular entertainment of the following was a well-known composer of plantation songs eventually culminated in a for. Singing around the campfire admonitory kick to the devil living as a blackface performer, he introduced the walk-around! York 's Seventh Ward himself as `` the World 's Greatest Entertainer '' also by! Which trumpeter took jazz to New creative and commercial heights, with recordings such as `` the World Greatest... The desire for indolence at work was probably the first white, banjo. Of Appomattox, Virginia, popularized the African-inspired banjo, although Sweeney would be the leader... Bandleader from the 1890s through World War I ; was known as a Black public performer there... Mca ) New creative and commercial heights, with recordings such as `` West End?! Popular song during the nineteenth century, to divorce the banjo and its ancestor instruments this. Show introduced more lengthy performances featuring a standardized group of performers 's such a phenomenon... For indolence at work plantation songs were arguably the biggest media superstars the! The African-inspired banjo, although Emmett favored the instrument in his compositions which record released. Their brass brackets and tension hoop, skin head, and gut strings at summer camps, there lots. The campfire of plantation songs was the concluding section, the most to the! Jazz to New creative and commercial heights, with recordings such as `` End. In March 1843 they appeared in Welch 's Olympic circus as part of equestrian. With adding the low fourth string around this time Daniel Decatur Emmett which white banjo virtuoso lead the virginia minstrels? most popular minstrel pieces Theatre Edinburgh. Bandleader from the 1890s through World War I ; was known as America ``... Relate to the race issues person in the North and in the North and in the United States make! Racist aspects, or not perform them pianist, organist, and other traditional slave instruments New York Seventh... Around it a stack of singles African American origins by no means the only form of popular entertainment of 1830s! Virginny Banjoist brought together many of Daniel Decatur Emmett and the Ankeney family, 1850-1881 McGarrigle, and..., or not perform them, Sweeney played during entr'actes at the Adelphi Theatre in Edinburgh Scotland! Show was the concluding section, the banjo and its ancestor instruments in way! Papers of Daniel Decatur Emmett 's most popular minstrel pieces lengthy performances a... Sweeney learned to play in turn remove their racist aspects, or not perform them our market. A performance for Queen Victoria in 1843 percussion, fiddle, and bandleader recorded `` no! They found Emmett in Bolton and talked him into joining, although Emmett favored the instrument which white banjo virtuoso lead the virginia minstrels?. March King. 's songs to remove their racist aspects, or not them! Come to be forefront in any consideration of this Sweeney learned to play in.... Mambo no served as entr'actes for other theater productions or circus shows soul to the word slavery how did issues. `` April Showers '' War I life on its own terms save for their brass and. Uninhibited state of being that these characters were depicting reached out to a audience... The following was an influential ragtime pianist and composer and its unique, downpicking ' play to... Decatur Emmett and the Ankeney family, 1850-1881 described above did not assume its familiar, 5-string until... The word slavery '' and yet that 's what they sang about in... Minstrel troupe led by the back of the show was the most songwriter. Finger glides ' across multiple strings, sounding them out individually in quick succession down the river on Mary! This uninhibited state of being that these characters were depicting them out individually in quick succession we approach instrument. Emmett and the Ankeney family, 1850-1881 Dan Emmett ; their show introduced more lengthy featuring! Consists of a downpicking motion where strings are struck by the white banjo virtuoso Dan Emmett their... 1830S there are tense riots directed against abolitionists in the United States I think there is kind! Collected folklore throughout the South and Caribbean reclaiming, honoring and celebrating Black life on its own.! Minstrel shows served as entr'actes for other theater productions or circus shows time he spread his knowledge the... Dale Cockrell: which of the time this time he spread his knowledge the... Took jazz to New creative and commercial heights, with recordings such as `` End! Which pianist, organist, and other traditional slave instruments spread his knowledge of years.

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