Instead of a fault, however, Sal sees such criminality as the result of Dean's unending energy and his search for true joy. Sal and Dean travel to Denver in search of Dean's father, but have no luck finding him. So what if a bunch of men talk in loud voices and drink the night? For the first time in our lives I said good-by to Dean in New York and left him there. As he looks around the unfamiliar room, Sal realizes that he doesn't understand his own identity. Although Jack Kerouacs On the Roadhas earned a reputation as a seminal work which embodies the Beat generation mentality, its portrayal of women is not something that can be described as positive. Thanks for creating a SparkNotes account! He defines heaven spatially. We also think Rickey, Terrys brother (the maana guy), is worth looking at. They then travel back to New York with a tall, thin salesman from whom Dean tries to get money in exchange for sex. June 2, 2022. Thus Sal offers the reader a perfect rendering of the Madonna-whore complex, according to which a man can sleep with as many whores as he wishes, but will only marry a pure, sexually uncompromised woman. Through their adventures and travels, they become comrades and brothers. As for Dean, Sal is amazingly not judgmental of the not-so-nice things Dean does. Date: Definitions and examples of 136 literary terms and devices. London: Penguin Books, 1957. What could this possibly mean? They were tremendously excited about being in Mexico and drove further south, into a desert. Enevold, Jessica. And then you might wonder what this sin is, exactly, and if it has anything to do with Dean, or that funky scene with the cop and Sals aunt where Sal talks about being ashamed of something because of his association with Dean. Given that Kerouac was a Catholic, its hard to ignore the religious implications of such a name. As African Americans are beginning new struggles to become full citizens in their communities, Sal and Dean revel and see freedom in the very idea of being marginalized. In fact, the attitude towards women depicted in the novel will most likely shock the contemporary feminist reader. From the creators of SparkNotes, something better. . The majority of the female characters in the novel seem to exist solely for the male characters to have sex with and subsequently abandon. Written byFloret. Refine any search. He is interested in philosophy, anthropology, and pre-historic Indians. Youve successfully purchased a group discount. As painful as it may be, exploring the world is more important than family or friends. They picked cotton with the same God-blessed patience their grandfathers had practiced in ante-bellum Alabama; they moved right along their rows, bent and blue, and their bags increased. My students love how organized the handouts are and enjoy tracking the themes as a class., Requesting a new guide requires a free LitCharts account. On every journey, Sal and Dean are confronted with the realities of law enforcement and the laws that they have broken. Hingham. Paradise makes sense, right? and M.Ed. With the coming of Dean Moriarty began the part of my life you could call my life on the road. When Dean abandons him to starve in San Francisco, Sal agrees passively with Marylou that it was a rat thing to do, but doesnt speculate too much on his own as to the rat-ness of his friend. This kind of individualist subversion is one of the themes of the novel, and Sal can sense that something is being lost by this destruction. Diane K. Young. She never said a word, leading Dean to comment, theres a real woman for you. Carlo Marx and I once sat down together, knee to knee, in two chairs, facing, and I told him a dream I had about a strange Arabian figure that was pursuing me across the desert; that I tried to avoid; that finally overtook me just before I reached the Protective City. Now that Dean had several children, he and, The group went from party to party, getting fumingly drunk. Dean and. Sal clearly makes Dean out to be a hero. Sal feels angry about how pheobe is acting at the table about cholesterol and taking food off people's plates. Dean is what inspires Sal to be on the road because Sal is inspired by the life that Dean has. This is vividly seen in a stop in Washington on the day of Truman's re-election inauguration. The narration often casually drops the names of friends, as if the reader is another of Sals friends, familiar with his acquaintances. The Cultural and Social Influence of Kerouac, Idealism and the Road in the late 1940s vs. the 1960s in On the Road and Easy Rider, Jewels in the Night: Sal's Identity in New York City, Denver, and San Francisco, Improvisation and other Jazz-like Techniques in Jack Kerouacs Writing. These papers were written primarily by students and provide critical analysis of On the Road by Jack Kerouac. Women are seen as disposable objects of these men's desires, as though there is no natural ethic, just an individual ethic of self-aggrandizement at the expense of others. for a group? Sal mythologizes much of the American West during his trip. Furthermore, even when describing more significant female characters such as Marylou, Sal still appears to value her physical appearance over anything else, describing her as a beautiful sharp little chick (Kerouac 7) and a golden beauty (Kerouac 153). He drove, The Ghost of the Susquehanna walked in the middle of the road and, Dean danced inside to a jazz record, to the dismay of. for a customized plan. LitCharts Teacher Editions. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned. Most of the book is the aftermath of Dean's run-ins with people. Through his first journey, Sal understands himself to be one in the long line of explorers and settlers who went West to find a new life. Dean had every right to die the sweet deaths of complete love of his Marylou. Sal's comfort in the migrant farms of California, perhaps, comes from subconsciously knowing that if he ever needed it, his aunt in New York could wire him money to come home. Web. Sometimes it can end up there. Throughout On the Road, women are clearly subjected to the male gaze, through which the reader finds a stereotypical sexualised objectification and infantilization of women (Enevold 407). Struggling with distance learning? arm swelled up, so the group had to stop and get penicillin from a hospital. But it was beautiful kneeling and hiding in that earth. Complete your free account to access notes and highlights. The concept of the ideal woman as domesticated and submissive is exemplified when Sal and Dean meet the sweetest woman in the world, and Sal notes, she never asked Walter where hed been, what time it was, nothing. Dean is a man constantly in and out of, both, jail and relationships. I see no evidence of this in the book, On the Road, by Jack Kerouac. Sal's and Dean's own travels begin to take on this kind of rhythm. I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered, stabilized-within-the-photo lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless nightmare road. I think a metaphor is proven when Dean continues on the road missing every exit, while Sal notices every exit but feels like he must follow Dean. it was this: I had forgotten something. The narrator, Sal Paradise, starts to tell the story: he, with his "intellectual" friends, was a young writer in New York City in the winter of 1947, depressed and bored, when Dean Moriarty arrived in New York City. Copyright 1999 - 2023 GradeSaver LLC. That wasnt it. You'll be billed after your free trial ends. Both of them fall in love with different women over the course of the novel, but their friendship remains constant. Others can tell, simply from their looks, that these people are rejecting the authority of the nation and the pressures to conform. Everyone drank and took drugs, playing out their sad drama in the American night., black fellas moanin guitar blues. They soon found themselves surrounded by a dark forest and, After a while, they parked the car and Marylou and Dean had sex while. Dean leaves Marylou, Camille, and Inez, but always comes back to Sal. Sals hypocrisy is also shown by the fact that while he doesnt hesitate to sleep with as many women as possible, he claims to be searching for a pure woman to marry; and at the end of the novel when Sal meets the girlthat I had always searched for and for so long (Kerouac 288), she is described as having pure and innocent dear eyes (Kerouac 288). In this way, the novel comments on and criticizes its times. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned. Continue to start your free trial. A pretty Mexican girl with whom Sal spends fifteen days in California. In Sacramento, the driver bought a hotel room and invited, In Denver, Dean made a comment in a restaurant about, One night, Dean arranged for his cousin Sam to meet up with, house lived a beautiful young chick that Dean was interested in, and as Dean and. However, after leaving Terry, Sal feels no qualms about moving on to a new girl right away, saying: I made the acquaintance of a girl and we necked all the way to Indianapolis (Kerouac 99). A Central City friend, whom Sal sees all over town. Naming women such as Marylou whores is highly hypocritical of the male characters in On the Road, given that no matter how many women the men have sex with, they are never accused of being too promiscuous or called derogatory names. Heaven = religion. Wherever Sal goes, he thinks of friends he can call up to stay with, go out with, or drink with. In this essay, I explore Kerouacs portrayal of women in On the Road, using the character of Marylou as a starting point. On the eve of his acting comeback, Sal got stabbed to death, but it took years before his assailant got brought to justice. As On the Road was being published, America was still a racially and ethnically diverse society that privileged whites of Western European descent. Every new girl, every new wife, every new child was an addition to his bleak impoverishment. You'll also get updates on new titles we publish and the ability to save highlights and notes. On The Road - Term 2. I have long-admired Zo from afar and am dying to visit her farm in person someday. Sal also prioritizes spatial distance over time when he sells his watch for gas money.Now, this all sounds pretty good. PDF downloads of all 1699 LitCharts literature guides, and of every new one we publish. 20% More to the point, the characters seem unsympathetic to the toll that the women have to pay in meeting the appetites and helping with the travels of the men. Sal, on the other hand, leaves his family behind when he travels west, and Stan Shephard, in Part Four, quite literally flees from his grandfather. While on the road, the polymorphous group of males become their own version of the nuclear family, and their need for females in any substantial capacity is basically eliminated, as Kerouac attempts to preserve male dominance against the female-centered nuclear family and the effeminization of consumer culture (Elmswood 342). 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