Minutes. He says, That often led to people fudging results or trying to put gloss on campaigns where they probably could have taken learnings out of things where they didnt work or try to understand why they didnt work, instead.. I was like, Thats the point it starts with an instrumental and ends with a slow version of the same instrumental. L+T: How do you feel working with Hip-Hop artists or being sampled by them affected your music/career? You mentioned Stuart Matthewman and Andrew Hale before, but what is your relationship like with bassist Paul Denman? L+T: Have you encountered any crazed Sade fans? Its great; its this guy from Germany, who I guess hes a cross-dresser. We dont consciously say I want this song to sound like that one, but it creeps in there. In speaking with Sade Adu and Stuart Matthewman, Life+Times learned a lot about what makes this legendary outfit tick. 'Urban Hang Suite' Left Him No Choice", "How Maxwell Captured the Sounds of Timeless Soul on 'Urban Hang Suite': 25 Years Later", "Driver in Fatal 154 Crash Was a Ticking Time Bomb", Stuart Matthewman Career Retrospective Interview from August 2015 with Pods & Sods, https://en.wikipedia.org/w/index.php?title=Stuart_Matthewman&oldid=1139495855, This page was last edited on 15 February 2023, at 12:40. You dont have all the answers. Ive always been like that. Matthewman can be heard on saxophone, guitar, keyboards, and programming. I speak with Matthewmanabout international marketing, how he defines success and what he wishes hed learned earlier. Stuart is kind of an unsung hero and a truly incredible talent! Send us a tip using our anonymous form. ' Matthewman recalls. The band features instrumental songs and songs with guest vocalists. But we had no idea if people were going to get it or not. You are awesome!!! Soul Woman. Although Im proud of them, it was the most that we could do at that time; at that moment in time, we did our best. Yeah, I have a little notebook, but Im always losing it as well; mislaying it. Some of the songs on here are things I wanted to write about a long time ago. Below we countdown to Stuart Matthewman upcoming birthday. About. We loved it; it was so simple, Matthewman remembers. Ascension sold more than a million copies, and its not hard to understand its allure: Theres the gliding economy of the groove, which seems to walk on water; the reckless falsetto run from Maxwell that opens the song; the strangely sticky lyrical construction of the hook, which swings from questioning to emphatic (Shouldnt I realize/Youre the highest of high/If you dont know, then Ill say it/So dont ever wonder); the subtle tumble of drums that precedes the chorus every so often. Well, first of all its good that we stopped and didnt try to make another one off the back of the previous album. There are the fans of course, the always organic no-formula formula, and how a little Drake goes a long way to brighten Sades day. I used to read a lot back then as well, at least up until the age of 15. Stuart: Well we have very odd ones. When were happy, then well let everyone else hear it., Like his comment in a previous interview with Rated R&B, It might sound funny but we write and do music to please ourselves and just hope that [we] have good taste and other people will like it.. Sade released their Bring Me Home Live 2011 DVD a short while ago, which was a homecoming of sorts for the band and their leader, having toured for the first time in a decade. He cites his musical influences as Junior Walker, King Curtis, Art Pepper, Ernie Isley, Steve Jones, Wah Wah Watson, Issac Hayes, Bill Withers, Lee Perry, Tony Iommi, and Gustav Mahler. During his teens, he picked up sax and began playing guitar. Stuart: Almost like watching a theater production or an opera or something where you can just completely change the stage. helped prove that a prehip-hop R&B tradition could still be creatively and commercially viable at a time when rap was already taking over popular culture. I tried to write it before, but it didnt quite work out. How do you help a global marketing team manage that? In addition, the bass-heavy rhythmic engine for DAngelo and Badu was hip-hop both their debuts were co-produced in parts by Bob Power, who helped mix and engineer A Tribe Called Quests The Low End Theory. Maxwell collaborated for the first time with guitarist Hod David, who co-wrote three songs and has worked with the singer ever since. You dont partially choose, Im going to show this, but Im not going to show that. But it happens that way. She likes to put out art. For more information, please see our L+T: Have you noticed a change in your audience over time? Weve managed to get that right. What changes were they? As an international marketer, Matthewman works with a team around the world who need to collaborate closely but also be able to work independently to produce marketing campaigns that make sense for their local market. We played in Rio and the audience there, they just sang along to every song really loudly! And if more people take responsibility the blame game goes away.. But it just didnt work. When it comes to trusting people, I have quite good instincts. Matthewman reflects that as a young marketer he was very afraid of making a mistake or a campaign not working. He is the father of Clay Matthewman and two magical white cats, Chet and Billie. I didnt like his more rocky stage; I wasnt so keen on that. Two hearts beating as one. Stuart Matthewman was born on August 18, 1960 in Hull, East Yorkshire, England. Stuart: I think our formula is the fact that we dont really have a formula. Even more unusual was that she had two black kids and the village was pure white as the driven snow. I think its really quite deep, but at the same time its a love song. How did he do it? Its like musical recycling. Recently, Stuart teamed up with singer-songwriter and multi-instrumentalist Vanessa Bley, daughter of Jazz legend Paul Bley, to form the band,Twin Danger, resultingina unique sound described as "The love child of heroin jazz and seductive darkness. Because of my age, Ive been thinking a lot about what we are going to do, how we are going to get out of this mess. I was like, Its amazing, but it sounds like its already done. In a recent interview with GQ Magazine, the renowned band revealed they are wrapping up the follow-up to 2010's Soldier of Love. Sad, happy, makes you want to dance, makes you feel elated. In 1995, percussionist Karl Vanden Bossche introduced Matthewman to then unknown singer Maxwell. Stuart is an avid cyclist, training and racing with New York race team, RBNY Racing. , the singers debut, which turns 25 this week; Maxwell is honoring the birthday with a reissue and a performance at the NAACP Image Awards. I was peddlingmusic around as a songwriter, Maxwell recalls. Between Sade albums and tours, Stuart stays quite active in the music world: composing film scores for the Polish Brothers' TwinFalls Idaho (1999),Northfork (2003),The Astronaut Farmer (2006), and Nelson George's TV movie,Life Support(2007) as well as producing and co-writing with various artists, notably Maxwell on his first three albums, and with English singer/songwriter Paloma Faith. What we were doing was programmed, but it sounded live because we allowed other instruments to breathe and play around the vocals. You know the fans and doing such a big stage show at this time in our career and the fans being so responsive, we really didnt want to finish the tour! Its not that the song makes you feel sad, the sadness is already there. Your email address will not be published. Something will come over me and Ill suddenly realize I hadnt seen it lately. Its not an incredibly professional way of working, the way that we work, so its always going to come out a little quirky. Varese Sarabande : A 30th Anniversary Celebration (A Chronicle Of Great Film Music 2003-2008) [omnibus, ost] (2016) by Various Artists () on maniadb.com Basically, Im always late, so I never have time to consider the realities. [6] In an interview with Pete Lewis for Blues and Soul print magazine, issue 1098, Paloma Faith discusses working with songwriters: "another person I really clicked with was Stuart Matthewman, who is Sade's co-writer. Sade: If I could turn back time? They asked me if Id like to write a bio for superstar singer Sade. Maxwell: Towards a New Definition of the Elegant Soulman. What I could immediately grasp, I took in. His niche is seasoned R&B acts, along with radio stats on urban and R&B formats. I got into that later. That seems like a marketing ploy thats obvious in todays world, but I was actually scared that something would happen. The 100 Greatest TV Shows of All Time and our Just own it. A guy from the record company said, Its from a new artist, would you meet him? 23K views 7 years ago tuart Matthewman of Sade joins Eric of Pods & Sods in conversation. At that time, not many girls bought records; they were just listening to the same records as their boyfriends. But we kind of had to, you know, to do events and various things. Sade: This time we wanted to do something more theatrical and take the audience somewhere unexpected. Maxwell enlisted other pros with enviable track records as well: David Gamson, a former member of Scritti Politti who had also produced for Chaka Khan and Sheila E.; Mike Pela, who produced and engineered for Sade and Fine Young Cannibals; and Itaal Shur, who would go on to mint money by co-writing Santanas gargantuan hit Smooth., The first half of Urban Hang Suite is springy and suave. Stuart Matthewman started marketing in the mid-'90s and actually changed careers half way. Stuart is also a member of bands, Sweetback and Twin Danger. [3] Matthewman co-produced, co-wrote, and played saxophone and guitar on Maxwell's albums: Maxwell's Urban Hang Suite (Columbia, 1996),[4] Embrya (Columbia, 1998), Now (Columbia, 2001) and blackSUMMERS'night (Columbia, 2016). The more input you get from smart people, the more success youll have.. I always see it as a compliment. "Lost" and "Listen Hear" from blackSUMMERS'night, "Taste My Own Tears" & "It's the Not Knowing" from A Perfect Contradiction, "Downdeep: Hula," "Know These Things: Shouldn't You" & "Gravity: Pushing to Pull" from Embrya, "Lonely's the Only Company (I & II)," "Welcome" & "Whenever, Wherever, Whatever" from Urban Hang Suite, "Tonight Is the Night" Stuart Matthewman Remix. No, I wouldnt say that, but Im not a real jazz buff. Then, when I was 13 I discovered a pirate radio station that played all sorts of stuff: folk, rock, soul, everything. Its almost unreal; almost magical. After releasing her album Lovers Rock in 2000, Sade wasnt heard again until 2010s Soldier of Love. ' (No.) Its more about society and culture and their parents. Using the pseudonym Cottonbelly, Stuart released the dub/electronic album, X Amounts of Niceness in 2010 [1] and produced remixes for artists. Finally, he recommends open and honest communication. We have no rules in the studio so anyone is, you know, always open to try anything. Its good. INTERVIEW: Stuart Matthewman and Vanessa Bley are Twin Danger | The Couch Sessions INTERVIEW: Stuart Matthewman and Vanessa Bley are Twin Danger July 9, 2014 by adamascarnegie The past two decades have seen an increase in musical collaborations with artists from seemingly opposing genres. Theres one that we found out about. Were also measured by how well we integrate and work with sales! Matthewman believes that being in sync with your sales team, listening to them and being able to get them to engage with you is super critical. I dont think I was, you know. Then, when they decide to buy, youre in the mix because youve assisted them with taking that journey.. Life+Times: What do you aim to do differently with your live sets each time you tour? As Matthewman says, If youre looking at truly business-changing programs not just focused on lead gen but on enabling the business thats truly a successful marketing team. I had an older brother who was always very protective of me. I mean its amazing going towe played in South America that we hadnt done before. But, your songs have meant so much to so many. Being a musician and fans of music, were obviously influenced by whats going on, but we never make a conscious decision to go oh we should do a track with more hip-hop or we should do a track thats kind of more reggae. We just do what we do and it comes out in some way. You will receive an email confirmation for the Life + Times newsletter shortly. You know were open for anything. L+T: When you finished recording By Your Side, did you have any idea that it was going to be so gigantic? That seems like a marketing ploy thats obvious in todays world, but I was actually scared that something would happen. Matthewman can be heard on saxophone, guitar, keyboards, and programming. He has appeared on all of Sade's albums: Diamond Life, Promise, Stronger Than Pride, Love Deluxe, and Best of Sade, all of which went triple platinum in the U.S. and have totaled sales over 40 million albums worldwide. Sade & Stuart Matthewman Discuss Music, Hip-Hop and Longevity. But it always ends up kind of sounding like us anyway. http://pitchfork.com/features/interview/9901-maxwell-hostage-of-love/ Interview With SpIrit & Flesh Magazine Stuart discusses his life, work and aesthetic in an interview. ' Maxwell recalls. Im sure a lot of people hate me because of that, theyre like, Yeah, that bitch, Sade, I hate her. [laughs]. He says, The key things to me are consistency, flexibility and collaboration with your key stakeholders: thats the rest of your marketing team around the globe as well as sales, service and people speaking to your customers and enablement. He adds that its critical to listen to the people in the regions for the nuances that happen locally and to work with them to make sure the campaign is actually going to land and work. After coming back to marketing a few years later, hes now looking after a team of marketers for a global software company founded in Australia in 1988 with offices in Sydney, Denver, Washington, London, Dusseldorf and Singapore. Sade's Stuart Matthewman has revealed in a new interview with Rated R&B that the band have begun working towards a new album. Its the people in the company when were at an event, talking on the phone, sending emails its everything! So, in his brand evolution he has focused on two key things: We are custodians of the brand, many of us wont be here for our entire career, says Matthewman. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Honestly, were a little bit amateur in the studio, the way we work. Stuart Matthewman | Press Stuart Matthewman Collaboration with MaxwelL In this interview, R&B singer Maxwell discusses his latest album and collaboration with Stuart. Twenty-five years after his debut, the singer-songwriter-producer and key collaborators look back on an album that proved R&B tradition could still thrive in a hip-hop world. Maxwell assembled an unusual group of musicians: not just Matthewman, who recalls that the singer was very enamored with the Sade album Love Deluxe at the time, but also Leon Ware the singer-songwriter-producer, who, in one of the most outrageous acts of generosity in music history, donated a planned 1975 solo album to Marvin Gaye, resulting in the singers I Want You LP and Wah Wah Watson, a guitarist whose rsum included Gayes Lets Get It On and Michael Jacksons Off the Wall. I was pretty much one of the lads, but I was an old soul even when I was a child. Intelligent questions and a wonderful conversation. The internet and content have had a huge part to play in this you have to be up front about how youre educating people and helping them with a buying decision. But, individually, as far as people are concerned, Im an optimist, because I believe theres a lot of good in people. Hopefully the organisation outlives all of us; but when were here, were the people that live and breathe the brand and we need to project those brand values collectively out to our people and the rest of the world., The new brand is easier to use but, more importantly, employees believe in it. Cookie Notice L+T: Have you encountered any crazed Sade fans? Sometimes we can work together without any talking, and thats the best. L+T: Its hard not to, right? He and I both agree that back in the day marketers saw each other as competitors. We also learn about the next Sweet \u0026 Lynch album and hear stories behind some of the songs on the new Stryper record, Fallen.For more on Stuart, visit:http://www.sade.comhttp://www.twindanger.comFor more Pods \u0026 Sods, visit:http://www.facebook.com/podssodshttp://podsodcast.blogspot.com We want to hear it. Copyright 2023 Penske Business Media, LLC. No one was doing crazy smooth-jazz solos.. In the early 1990s, Stuart Matthewman, the writer, producer, and multi-instrumentalist known for his work in Sade, heard a remarkable demo: a ballad that stretched out over nearly seven minutes, making room for daredevil falsetto and a bass line as elegant as a spiral staircase, building to a description of a sexual liaison so ecstatic that it lasts for days and eventually brings police to the door. The village was pure white as the driven snow aesthetic in an Interview. just own.. Also a member of bands, Sweetback and Twin Danger songs and has with. 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